6.12 上影| 我看到的是一个善良温柔坚强的女人下半段则是制度如何power over her,如何以其体量和力度不留余地、不带任何情感地从她身上碾过从她平凡却温馨的小家中碾过;我看到的是那本纸做的圣经那一部写着保护人身安全的法律在法庭上保护年轻女孩的身体而当她们被另一个具体的身体与力量压制时她们身后一无所有How sweet the justice is.
Fellini's semiautobiographical nostalgia piece is an acerbicly affectionate reverie about the malaise and tumult of young idlers who attempt to outgrow their oblivions of true identities, and a caressing gaze into his self-liberation from the stifling enclosure of a cultural past